The twenty-fifth year of the event, which is traditionally part of autumn in Bratislava, brings new names, topics, and changes that have been carried out through the efforts of the organizers to achieve the best possible program, but also as a needed response to changes in the cultural (or uncultured) environment of Bratislava. Thanks to the understanding of the Slovak National Museum administration, three exhibitions will be held in museums on Žižkova street. In a similar fashion, the director of the Modern Art Gallery at the Danubiana came forward to meet our needs, therefore this gallery will become part of the festival for the first time.


The dramaturgy of the event builds on the opposition between the home and nomadism. We prepared the program a year ago, there is no intentional correlation with the current refugee crisis; although this correlation cannot be avoided. We were taught at school that home needs to be understood as “hands on which you can cry,” but certainly it is a wider phenomenon. We can include here: Knap’s Zen observations on the passage of time in nature or life; and Niedenthal’s authentic documentary photography of the struggle between Solidarity and political power during the eighties in Poland. In contrast to this stands the profession of a photographer, who as an author reports on problems, conflicts, and countries which at first glance seem exotic and incomprehensible regarding the meaning of home. Martin Kollár thus reveals the undercurrents of the Israeli presence, Gregor Sailer narrates the story of life in places where, behind beautiful scenery, cruel conflicts take place.

The Month of Photography is an event that was created in 1991 thanks to the European House of Photography in Paris. In a way, France is the guest of honour of the event, therefore the choice of theme is in accordance with this as well. The photographic culture of France is represented by the works of two extraordinary personalities – Robert Doisneau, who perfectly reflects the joyful and optimistic era of the fifties and sixties and Bernard Plossu who in the following decades looked for new forms of photography. From the younger generation, we chose Myette Fauchere‘s project which resembles the ties between France and its former African colonies.

Map of exhibitions